THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his ft on the ground. He can be ashamed to parade his goodness. He works by using ingenuity instead of divinity. Chaplin’s untidy enjoy lifestyle implies he felt he deserved whomever he wished; Keaton in private existence seems to are melancholic thanks to alcoholism, but a decent plenty of sort with Women of all a

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